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Fela Kuti The life of Fela is full of contradictions, and that's part of what makes him so captivating. People who love him forgive the flaws in him. His songs typically last 20 minutes or more, and are performed in thick, almost incomprehensible Pidgin English. His music is heavily influenced by Christian hymns and jazz, classical music Yoruba chant, and horn-and-guitar heavy highlife. He was a musician Fela Kuti embodied that music can be a tool to transform the world. His music was used to call for political, social and economic reforms. His influence is still evident even today. Afrobeat is a style of music that blends African and Western influences. Its roots are in West-African and funk. However, it has evolved into a brand new genre. His political activism was ferocious and he took action without fear. He made use of his music to protest government corruption and human rights violations. Songs such as “Zombie” and “Coffin for the Head of State” were bold critiques of the Nigerian regime. He also used his residence, Kalakuta Republic, as an area for political activism as well as a gathering place for like-minded individuals. The play includes a large portrait of his late mother Funmilayo ransome-Kuti. She was a prominent feminist and activist. She is played by actress Shantel Cribbs, who successfully conveyed her significance in the life of Fela. The play also explores her political activism. Despite her declining health she refused to be checked for AIDS and instead opted for traditional medicine. He was a musician Fela Ransome Kuti was a multifaceted person who used music to effect changes in the political landscape. He is famous for his work on afrobeat – a fusion of funk and dirty African rhythms. He was a fervent critic of Nigeria's religious and political leaders. His mother was a suffragist against colonialism and it's not unusual that he has a passion for social commentary and politics. His parents hoped that he would become a doctor, but there were other goals for him. While he initially sounded in a more apolitical highlife fashion, a trip in America would change his outlook forever. The music he composed was greatly inspired by his exposure to Black Power movements and leaders such as Eldridge Clever and Malcolm X. He adopted a Pan-Africanism philosophy that would influence and inform his later work. He was a writer Fela encountered Black Power activists such as Stokely Carmichael, and Malcolm X while in the United States. The experience inspired him to create an activist movement known as the Movement of the People, and to compose songs that reflected his views about black activism and political consciousness. His philosophies were expressed in public through the method of yabis, which is an art of public speaking which is referred to as “freedom of expression”. He also began to establish strict moral codes for his band, such as refusing to use medications from doctors trained in the West. After returning to Nigeria Fela began to build his own club and the Shrine in Ikeja. The police and military officials were almost constant. fela claims railroad employees -Idi Oro hangers were able to repopulate the area around the club with hard drugs particularly “bana” and “yamuna” (heroin). However, Fela was a man of uncompromising integrity. His music is a testimony to his determination in challenging authority and ensuring that the desires of the masses are manifested in official goals. It is an influence that will last for generations. He was a poet In his music, Fela used light-hearted sarcasm to draw attention to political and economic issues in Nigeria. He also snarkily mocked his audience, government officials, and even himself. He often referred to himself during these shows as “the big dick in the small pond.” The authorities did not take his jokes lightly, and he was repeatedly arrested and imprisoned. He was also beaten by the authorities. He eventually adopted the name Anikulapo which translates to “he carries death in his pouch.” In 1977, Fela released a song called “Zombie” in which he compared soldiers to brainless zombies that followed orders without asking questions. The military was offended by this and conducted a raid on Kalakuta Republic. They burned it down and beat its residents. In the course of the raid, her mother was thrown from her second-floor window. Fela developed Afrobeat during the years that followed the country's independence. Afrobeat is a music genre that combines jazz with indigenous African rhythm. His songs criticised European cultural imperialism and defended traditional African religions and culture. He also criticized fellow Africans who betrayed their country's customs. He stressed the importance of human rights and freedom. He was an artist of hip-hop. A trumpeter, saxophonist, composer, and pioneer of the Afrobeat genre, Fela Anikulapo-Kuti was born in 1938 in Abeokuta, Nigeria. He was heavily influenced by jazz, rock, and roll, as well as traditional African music as well as chants and music. After a trip to the United States in 1969, Fela met Sandra Smith, an activist from the Black Power movement, and her ideas impacted his work dramatically. Fela's music was a political instrument after his return to Nigeria. He criticized the government of his home country and insisted that African culture should not be submerged by Western sensibilities. He also wrote about human rights violations and social injustices. right violations. He was frequently detained for his criticism of military. Fela was also a proponent of marijuana in Africa and is referred to as “igbo”. He often held public discussions at Afrika Shrine, called “yabis” where he would lampoon government officials and promote his beliefs about freedom of expression and the beauty of women's bodies. Fela had an harem, which was a group of young women who performed at his shows, and also supported his vocally. He was a dancer Fela was a master of musical fusion, combining elements from beat music and highlife to create his own unique style. He influenced a generation African musicians and was a vocal critic of colonial rule. Despite being arrested and tortured by the Nigerian military junta and witnessing his mother killed, Fela refused to leave the country. He died from complications due to AIDS in 1997. Fela was an activist for the political cause who was critical of the oppressive Nigerian government and supported the principles of Pan Africanism. His albums such as 1973's Gentleman, focused on fighting oppression from both colonial and government parties. He also pushed for black power and criticized Christianity and Islam as non-African imports, which have been used to divide the people of Africa. Shuffering and Smiling is the title track of a 1978 album. It describes overcrowded public buses filled with working poor people, “shuffering and smiling”. Fela was a fierce enemy of religious hypocrisy. His music was also complemented by his dancers who were lively, sensual, and regal. Their contributions to the show were as important as the words Fela used. He was an activist for the political cause. Fela Kuti used music as a tool to confront unjust authorities. He took his knowledge of American funk and jazz toward African patterns and rhythms, creating music that is ready for a fight. The majority of his songs start with slow-burning instrumentals. He layers little riffs, long-lined melody lines and other elements until they explode with a sense of urgency. Fela was, unlike many artists who were scared to discuss their political beliefs He was adamant and unbending. He stood up for what he believed in even when it was risky. Funmilayo Ransome Kuti was a feminist who was the leader of the Nigerian Women's Movement. His father was a protestant minister and the president of the teachers union. He also created Kalakuta Republic, a commune and recording studio that was an expression of resistance. The government raided Kalakuta Republic which destroyed property and injuring Fela. He refused to relent however, and continued to voice his opinion against the government. He passed away in 1997 due to complications caused by AIDS. He was succeeded by his son, Femi, who continues to carry on his musical and political legacy. He was a father Music is often viewed by many as a form of political protest. Artists use lyrics to call for change. Some of the most powerful music demonstrations aren't performed with words. Fela Kuti was one such artist, and his music continues to ring out today. He was the pioneer of Afrobeat music, which blends traditional African rhythms and harmony with jazz and hip-hop and was being influenced by artists like James Brown. Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist who fought colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied marxism and believed in the idea of a Nigeria that served its entire population. Seun Fela's son continues to carry on his father's legacy with a group dubbed Egypt 80. The band is on tour around the world this year. The band's music blends the music and politics of Fela's day with a searing denunciation of the same power structures that are still in place today. Black Times will be released at the end March. Many fans attended the funeral and paid tributes at Tafawa Balewa Square. The crowd was so big that police had to shut down the entrance to the venue.